2012
Haunch of Venison, New York
Softcover
48 pages
240 × 195 mm
Kevin Francis Gray has generated bodies of work which address the complex relationship between abstraction and figuration. At the core of the artist's practice is an interrogation of the intersection of traditional sculptural techniques and contemporary life. Rather than working towards ideals of beauty or memorial, Gray attends to the psychological effects, often relying on textural surfaces rather than facial or bodily expressions. Furthering Gray’s decade of working with marble, his new work pushes the possibilities of the artist’s sculptural practice into new territories of physical and psychological expression.
[Pace Gallery]
Includes an interview with Robert Goff.
