2018
Abbot Hall, Kendal
Hardcover
104 pages
286 × 224 mm
Alison Watt studied at Glasgow School of Art. In 1987, while still a student, she won the National Portrait Gallery's prestigious annual award. She subsequently became well known for her paintings of figures, often female nudes. In the late 1990s she began to focus on the fabric which had previously acted as a prop or backdrop for her figures. Although the human figure is no longer explicit in Watt’s work, it is often implied. More recently, her painting has focused upon the relationship between the genres of portraiture and still life, exploring the possible narratives around everyday objects.
[National Galleries of Scotland]
Includes an essay by Laura Smith.
